Ambient / Dark Ambient

Neoklasicistní zasněný dark ambient z Řecka. Krásné digipackové vydání formátu A5. Are we bound by a predetermined destiny, or do we forge our own path in life?" John Santerineross sets the question through his short film "Destin", iNsCissorS from Hellas sets the question by composing it's original score with Vincent Andelmoth on the piano, soundscapes & effects, Jason Andelmoth on Cello and Angel W.Black on Vocals & Choirs creating a unique cinematic ambient/neoclassical piece to dress one of John Santerineross dark films. Peter Andersson (RAISON D"ETRE), Mich Spape (H.E.R.R.), Simon Kölle (MUSTERION, ZA FRUMI, ABNOCTO), INNER VISION LABORATORY and HOARFROST place their own aspect of the same question by remixing the original score of iNsCissorS, each one in his own way! CD in special A5 digipack including along two additional bonus tracks.

Páté řadové album pozoruhodného severofinského projektu. Ambient, mrazivá elektronika, post rock. Snová, melancholická tvorba evokuje náladu opuštěné mrazivé severské krajiny. Limitovaná edice 300 ks v krásném, ručně číslovaném digipackovém balení.

Psychedelický kosmický space drone ambient rock. Digipack. Itálie.

Minimalistický ambient z Itálie. Digipack.

Temný mrazivý experimentální drone ambient. Digipack. Itálie. “99.09 Inside the stones” is a collection of the most significant tracks made by LARVA 108 during the first 10 years. 12 songs for 60 minutes. A sountrack for walking alone through a winter snowstorm or between the trees during a grey day of november. Experimental, electronica, drones creates organic gloomy atmospheres.

Industrial ambient z Belgie.

Minimalistický experimentální ambient. Itálie.

Pěkný minimalistický drone ambient.

Karsten Hamre (Penitent, Dense Vision Shrine) se svým dark ambient / industrial projektem. Digipack. Norsko.

Dark ambient. Vedlejší projekt člověka z Amon. Itálie.

Dark ambient. Itálie.

Hypnotický meditativní ambient. Itálie.

Experimentální drone ambient. Velká Británie / Itálie.

Druhé sólové album Petera z Arcany. Melancholický severský ambient. Digipack. Švédsko. Peter Bjärgö, the man behind the now legendary groups ARCANA and SOPHIA is back with his second solo album. On his first solo release "A wave of Bitterness", we got a glimpse into the mind of a thoughtful person. Now this new release, "The Architecture Of Melancholy", we are sent onto a journey to the darkest depths of Peter's mind and thoughts. Melancholy was once a disease, a mental statement of chronic depression, we are now facing this illness again around the world and this album is a real journey with the melancholic mind. Titles like Bitteresque, Apathy and The Death Of Our Sun give us an idea of the aural voyage ahead. The delicate blend of soft guitars, engulfing dark ambient and the sheer power of Peter's voice make this album a shining diamond among stones. Hope is all that is left...

Peter Bjärgö (Arcana) je zpět s dalším sólovým albem. Written and recorded during 2020, a year marked by forced quarantine with in turn proved to be a prolific time for musical composition. It is an album about change, aging and the fading memories one has, often more of a product of the current state of a person than an accurate description of those remembered moments. With age we tend to forget or lose contact with particular moments and parts of our own story and context become erased forever, as though they never happened. With this album, Peter Bjärgö takes the first steps into something new, bringing along his signature sound from past projects into a slowly evolving transition to a sonic world beyond his previous achievements. Leaning towards a more ethnic, rhythmic sound, integrated with his now trademark melancholic guitar work and deep solemn vocals, these are the first steps to a new horizon he’s ceaselessly crafting for our listening pleasure.

Tajemný dark ambient z Německa.

The encounter between Ramona Ponzini and Maurizio Bianchi yields a work poised on the threshold between evocation and vertigo: a sonic device unfolding through stratifications, resonances, and semantic as well as acoustic collisions. Maurizio Bianchi, a pioneer of the Italian industrial scene, chisels soundscapes built from abrasive, material noises, dissonant cadences, and atmospheres both dust-laden and rarefied yet simultaneously dense. The listener moves across these terrains as if navigating a landscape of ruins: sonic debris, distant echoes, reverberations functioning as unstable archives of memory. His practice remains faithful to the grammar of noise in its most concrete form, transforming chaos into a syntax that vibrates and breathes. Upon this fractured yet fertile topography, Ramona Ponzini overlays her voice and texts, which become a dramaturgical substance in their own right. Some tracks draw upon haiku; others rework and sample fragments of cinematic dialogues....

Sound trails, minimal structures built with pads, discreet electronic elements, slow, deep and enveloping bass lines, backgrounds of confused voices treated in reverse, circular movements alternating with liquid stasis and quiet... Creaks on layered sound substrates of indecipherable nature, which seem to emerge from a thick blanket of fog that reveals fragments of real landscapes here and there, ready to disappear from view again after a few moments, once more hidden by clouds of steam in constant motion... A fantastic journey, almost “suspended” in a void, crossing immaterial, confused and evanescent landscapes.

Winding through cavernous and dark meanders, amid gurgling water, rustling sounds, low and deep pulsations, incisive and impactful sound masses, floating waves, crystalline drips, sudden rays of light, electronic spirals, and unexpected openings onto almost soothing soundscapes and quiet environmental stasis, Rod Modell paints musical textures that are apparently abstract and contemplative, but in reality charged with pathos and drama, taking advantage of a spectacular, enveloping and surprising sound quality, in which every nuance and every small detail makes the listening experience even more intense and engaging. A new exciting masterpiece by Maestro Rod Modell.

MUSIC FOR BUS STATIONS is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good. "Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and ethereal calm. A slowly shifting static backdrop designed to enhance modern architecture, rather than compete with it. Sounding as if the structure itself was resonanting. Hovering sound-fields that utilizes sonic phenomena proven to induce states of calm. Can be presented as a multichannel, polyrhythmic installation with different components of the composition emanating form different areas within the structure, and elements constantly shifting in relationship to other elements, creating an organic sonic-tapestry that...